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The 96th Academy Awards: Will You Still Love Me Tomorrow? . . . or, at least, on Tuesday?

| March 10, 2024

My annual (and confidently accurate) Oscar predictions

| March 9, 2024

They Shot the Piano Player [Video Review]

| March 2, 2024

They Shot the Piano Player (2024)

| March 1, 2024

Madame Web (2024)

| February 20, 2024

God + Country (2024)

| February 20, 2024

Vishniac (video review)

| February 2, 2024

Vishniac (2024)

| January 31, 2024

The Movies of 1970 (Part 1)

| December 2, 2023

Killers of the Flower Moon (2023)

| October 21, 2023

A Disturbance in the Force (2023)

| August 27, 2023

Lynch/Oz (2023)

| August 27, 2023

Sometimes I Think About Dying (2023)

| August 27, 2023

Bottoms (2023)

| August 26, 2023

Birth\Rebirth (2023)

| August 26, 2023

Nathan-ism (2023)

| August 26, 2023

Maestra (2023)

| August 26, 2023

Chasing Chasing Amy (2023)

| August 26, 2023

Hello, Dankness (2023)

| August 25, 2023

Art for Everybody (2023)

| August 25, 2023

Blog: Killing Connie Casserole: How Stonewall Vilified ‘The Boys in the Band’

| August 9, 2023

BLOG: William Friedkin’s legacy of gamechangers: “The French Connection” and “The Exorcist”

| August 8, 2023

A Compassionate Spy (2023)

| August 3, 2023

After the Bite (2023)

| August 2, 2023

Cobweb (2023)

| August 1, 2023

Kokomo City (2023)

| July 28, 2023

Barbie (2023)

| July 25, 2023

Afire (2023)

| July 22, 2023

They Cloned Tyrone (2023)

| July 21, 2023

Oppenheimer (2023)

| July 21, 2023